Photo by Stefan Sappert
This summer marked a defining milestone in NATISA's musical journey. At the legendary BIG ART Festival on Costa Smeralda, the singer took to the same stage as Robbie Williams.
The exclusive event brought together an international audience of entrepreneurs, investors, family-office representatives, cultural and creative leaders, prominent figures from fashion and luxury, and guests who consider Costa Smeralda one of the essential destinations of the European summer.
For NATISA, the evening represented much more than a prestigious performance. It was an opportunity to introduce her artistic world to a new audience within one of the most important international settings of her career so far.
BIG ART Festival has established itself as a global event combining music, culture and contemporary lifestyle in some of the world’s most iconic locations. In 2026, it has already reached St. Moritz, Courchevel, Hong Kong, Samarkand, New York, Monaco and Porto Cervo, welcoming performers such as Rita Ora, Plácido Domingo, Craig David, 50 Cent and Robbie Williams.
Alongside internationally recognised stars, the festival also provides a platform for new voices ready to reach a wider audience. NATISA entered that space without needing to be introduced through labels or comparisons. Her voice, energy and connection with the audience revealed an artist whose identity is already taking shape.
Performing on the same evening as Robbie Williams placed her in a demanding professional context. The audience was accustomed to artists of the highest level and had no previous familiarity with her work. NATISA therefore faced the most authentic challenge for any performer: capturing attention through music alone.
“It was a tremendous honour to take part in BIG ART Festival and perform on the same evening as Robbie Williams. Being part of an event of this calibre is deeply inspiring and makes you approach your own work with even greater commitment. What meant the most to me was the chance to share my music with an international audience, including many people who were discovering me for the first time. I am sincerely grateful to BIG ART Festival for their trust and for this opportunity. Porto Cervo will always hold a special place in my heart,” says NATISA.
The performance was a new milestone, but it was not the beginning of her story.
NATISA is a singer, songwriter and composer whose musical background crosses jazz, soul, pop, folk traditions, contemporary sounds and orchestral performance. Rather than identifying with one genre, she has used these experiences to develop an individual musical language.
Concerts, rehearsals, recording sessions and collaborations with musicians have always been central to her life. The stage was not simply a destination to reach, but the place where she gradually learned to recognise her own voice as an artist.
For several years, NATISA was the lead soloist of the RadioBand orchestra. Performing with a large live ensemble gave her valuable experience and professional discipline while also strengthening her relationship with live music. Yet the orchestra never defined the limits of her creativity. She continued experimenting with different repertoires and exploring other musical traditions, including folk songs.
Her experience with The Voice added another dimension to her development. NATISA first participated as a contestant, confronting the pressure and emotional intensity of performing before a major television audience. She later returned as a vocal coach, moving from the search for her own artistic identity to helping other performers develop theirs.
That change of role allowed her to observe music from a new perspective. She learned that technical ability, however important, is not always enough to move an audience. A performance becomes memorable when the artist can transform a voice into a genuine emotion.
These experiences gradually converged in her original project. NATISA no longer wanted only to interpret music written by others. She felt the need to create her own work and tell stories capable of remaining with the listener.
Love is naturally present in her songs, but her writing is not confined to romantic relationships. NATISA explores hope, loneliness, intimacy, choice, inner strength and vulnerability. Her music reflects the moments when life changes direction and people are forced to look at themselves differently.
Her creative world also increasingly engages with social themes and the realities of contemporary life. Personal emotions and external events are not separate dimensions in her work; they interact and become part of the same musical narrative.
NATISA seeks to create songs that continue to resonate after they have ended. For her, the value of music lies not only in what happens during a performance, but also in the feeling that remains once the final note has disappeared.
Today, she divides her time between Vienna and Prague. This international dimension is gradually influencing both her creative process and the sound of her new material.
Much of that material is being developed at MG Sound Studio in Vienna, where NATISA works alongside producers and musicians from different countries. The studio has become a space in which she can combine her influences and experiment without being restricted by a single genre.
Her recording of George Gershwin’s “The Man I Love” with ECHO Klassik laureate Yury Revich reflects this approach. The collaboration with the acclaimed violinist allowed NATISA to connect different musical traditions while remaining faithful to her own interpretation.
Photo by Stefan Sappert
At this point in her journey, she is no longer searching for a category to belong to. Her focus is on creating a distinctive sound within a broad and constantly changing musical landscape.
NATISA’s performance at BIG ART Festival was therefore not an introduction to an artist at the beginning of her path. It was the international presentation of a performer with years of experience in live music, television, teaching, songwriting and creative collaboration.
Porto Cervo allowed her to meet an audience positioned at the crossroads of music, art, fashion and contemporary culture. It also offered a glimpse of what the next stage of her career may become.
NATISA already possesses the experience required for major stages, but she has preserved something equally valuable: the freedom to evolve. She can still explore new sounds, challenge expectations and shape an identity that cannot be reduced to a familiar formula.
BIG ART Festival opened the door to a wider international landscape.
NATISA stepped through it with her own voice.
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